<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: 5 Differences between classical and contemporary voice	</title>
	<atom:link href="https://judyrodman.com/5-differences-between-classical-and/feed/" rel="self" type="application/rss+xml" />
	<link>https://judyrodman.com/5-differences-between-classical-and/</link>
	<description>Vocal Coach • Singer • Speaker • Songwriter • Studio Producer • Podcaster</description>
	<lastBuildDate>Wed, 07 Feb 2024 22:02:04 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0.1</generator>
	<item>
		<title>
		By: Unknown		</title>
		<link>https://judyrodman.com/5-differences-between-classical-and/#comment-223</link>

		<dc:creator><![CDATA[Unknown]]></dc:creator>
		<pubDate>Sat, 29 Aug 2020 11:47:39 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/5-differences-between-classical-and-contemporary-voice/#comment-223</guid>

					<description><![CDATA[Such an insightful article!Thank you for sharing this kind of information with us.I will definitely follow your instructions and tips to transit from classical to contemporary voice]]></description>
			<content:encoded><![CDATA[<p>Such an insightful article!Thank you for sharing this kind of information with us.I will definitely follow your instructions and tips to transit from classical to contemporary voice</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Judy Rodman		</title>
		<link>https://judyrodman.com/5-differences-between-classical-and/#comment-491</link>

		<dc:creator><![CDATA[Judy Rodman]]></dc:creator>
		<pubDate>Sun, 05 Feb 2017 22:35:20 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/5-differences-between-classical-and-contemporary-voice/#comment-491</guid>

					<description><![CDATA[Great to hear from you always, Hilary... happy to know you&#039;ve noticed these things, too.]]></description>
			<content:encoded><![CDATA[<p>Great to hear from you always, Hilary&#8230; happy to know you&#39;ve noticed these things, too.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Unknown		</title>
		<link>https://judyrodman.com/5-differences-between-classical-and/#comment-492</link>

		<dc:creator><![CDATA[Unknown]]></dc:creator>
		<pubDate>Sun, 05 Feb 2017 22:21:15 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/5-differences-between-classical-and-contemporary-voice/#comment-492</guid>

					<description><![CDATA[Great demonstration Judy!! The power of the nuances in standing and hand use always amazes!]]></description>
			<content:encoded><![CDATA[<p>Great demonstration Judy!! The power of the nuances in standing and hand use always amazes!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Unknown		</title>
		<link>https://judyrodman.com/5-differences-between-classical-and/#comment-573</link>

		<dc:creator><![CDATA[Unknown]]></dc:creator>
		<pubDate>Mon, 27 Jun 2016 11:30:46 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/5-differences-between-classical-and-contemporary-voice/#comment-573</guid>

					<description><![CDATA[The primary contrasts amongst established and contemporary styles is the utilization of a receiver, and this massively impacts the way you can or can&#039;t utilize your voice. The &lt;a href=&quot;http://www.stephaniethompsonint.com/classically-trained-singer/&quot; rel=&quot;nofollow ugc&quot;&gt;Classically Trained pop Singer&lt;/a&gt; will only use a microphone if the acoustics of the venue do not permit singing without it.Contemporary vocalists will for the most part sing with an amplifier. This doesn&#039;t demonstrate uncouthness however – for the most part two reasons ought to be specified: &lt;br /&gt;&lt;br /&gt;1. The contemporary performer will for the most part be joined by enhanced instruments. Indeed, even a professionally prepared voice with great projection will require a mic for this situation. &lt;br /&gt;&lt;br /&gt;2. The way that contemporary artists utilize certain vocal hues/tones/timbres for elaborate reasons some of the time additionally implies that these sounds don&#039;t extend without enhancement. &lt;br /&gt;]]></description>
			<content:encoded><![CDATA[<p>The primary contrasts amongst established and contemporary styles is the utilization of a receiver, and this massively impacts the way you can or can&#39;t utilize your voice. The <a href="http://www.stephaniethompsonint.com/classically-trained-singer/" rel="nofollow ugc">Classically Trained pop Singer</a> will only use a microphone if the acoustics of the venue do not permit singing without it.Contemporary vocalists will for the most part sing with an amplifier. This doesn&#39;t demonstrate uncouthness however – for the most part two reasons ought to be specified: </p>
<p>1. The contemporary performer will for the most part be joined by enhanced instruments. Indeed, even a professionally prepared voice with great projection will require a mic for this situation. </p>
<p>2. The way that contemporary artists utilize certain vocal hues/tones/timbres for elaborate reasons some of the time additionally implies that these sounds don&#39;t extend without enhancement. </p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Judy Rodman		</title>
		<link>https://judyrodman.com/5-differences-between-classical-and/#comment-692</link>

		<dc:creator><![CDATA[Judy Rodman]]></dc:creator>
		<pubDate>Wed, 02 Dec 2015 15:16:53 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/5-differences-between-classical-and-contemporary-voice/#comment-692</guid>

					<description><![CDATA[Thanks, Stephanie for sharing your thoughts here.]]></description>
			<content:encoded><![CDATA[<p>Thanks, Stephanie for sharing your thoughts here.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Unknown		</title>
		<link>https://judyrodman.com/5-differences-between-classical-and/#comment-693</link>

		<dc:creator><![CDATA[Unknown]]></dc:creator>
		<pubDate>Wed, 02 Dec 2015 15:12:21 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/5-differences-between-classical-and-contemporary-voice/#comment-693</guid>

					<description><![CDATA[&#039;Classical singing&#039; is an ambiguous term in the West, but implies the convergence of a number of European singing traditions geared toward creating a big vocal tone and sound with maximum natural resonance and without amplification. Of course it also entails a certain literature. Baroque and pre-Baroque singing often falls under the header &#039;early music,&#039; but classical singing from the late 17th century until today is pretty much what you&#039;d imagine it to be in terms of the repertoire. Opera is a part of it.&lt;br /&gt;&lt;br /&gt;Western composers over the ages have written a great deal of vocal music which is not opera, that is, which is something other than a stage drama with sets and costumes and acts and scenes all set to music. While many classical singers perform opera, many others do not take to the opera stage at all. There is a lot music for classical singers to choose from, as composers have written sacred and secular choral music, songs for soloists accompanied by a piano, chamber ensemble, or orchestra, and other types of non-dramatic or semi-dramatic music. All of these require &#039;classical singing.&#039;  &lt;br /&gt;The contemporary musician will mostly be accompanied by amplified instruments. Even a professionally trained voice with good projection will need a mic in this case.&lt;br /&gt;2. The fact that contemporary singers use certain vocal colours/tones/timbres for stylistic reasons sometimes also means that these sounds do not project without amplification. Think of a very quiet, breathy, whispering sound in a ballad.]]></description>
			<content:encoded><![CDATA[<p>&#39;Classical singing&#39; is an ambiguous term in the West, but implies the convergence of a number of European singing traditions geared toward creating a big vocal tone and sound with maximum natural resonance and without amplification. Of course it also entails a certain literature. Baroque and pre-Baroque singing often falls under the header &#39;early music,&#39; but classical singing from the late 17th century until today is pretty much what you&#39;d imagine it to be in terms of the repertoire. Opera is a part of it.</p>
<p>Western composers over the ages have written a great deal of vocal music which is not opera, that is, which is something other than a stage drama with sets and costumes and acts and scenes all set to music. While many classical singers perform opera, many others do not take to the opera stage at all. There is a lot music for classical singers to choose from, as composers have written sacred and secular choral music, songs for soloists accompanied by a piano, chamber ensemble, or orchestra, and other types of non-dramatic or semi-dramatic music. All of these require &#39;classical singing.&#39;  <br />The contemporary musician will mostly be accompanied by amplified instruments. Even a professionally trained voice with good projection will need a mic in this case.<br />2. The fact that contemporary singers use certain vocal colours/tones/timbres for stylistic reasons sometimes also means that these sounds do not project without amplification. Think of a very quiet, breathy, whispering sound in a ballad.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Judy Rodman		</title>
		<link>https://judyrodman.com/5-differences-between-classical-and/#comment-785</link>

		<dc:creator><![CDATA[Judy Rodman]]></dc:creator>
		<pubDate>Sun, 29 Mar 2015 20:37:51 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/5-differences-between-classical-and-contemporary-voice/#comment-785</guid>

					<description><![CDATA[So glad you liked the post, Melissa... thanks! Tip: You will be able to control your vibrato by applying more... yes... BREATH CONTROL! How you hold back air pressure is vital... widen your ribs and pull your voice by your articulation, instead of pushing air. Check this post for more: http://blog.judyrodman.com/2012/04/voices-with-breathing-problems-check.html]]></description>
			<content:encoded><![CDATA[<p>So glad you liked the post, Melissa&#8230; thanks! Tip: You will be able to control your vibrato by applying more&#8230; yes&#8230; BREATH CONTROL! How you hold back air pressure is vital&#8230; widen your ribs and pull your voice by your articulation, instead of pushing air. Check this post for more: <a href="http://blog.judyrodman.com/2012/04/voices-with-breathing-problems-check.html" rel="nofollow ugc">http://blog.judyrodman.com/2012/04/voices-with-breathing-problems-check.html</a></p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Melissa H.		</title>
		<link>https://judyrodman.com/5-differences-between-classical-and/#comment-786</link>

		<dc:creator><![CDATA[Melissa H.]]></dc:creator>
		<pubDate>Sun, 29 Mar 2015 20:34:56 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/5-differences-between-classical-and-contemporary-voice/#comment-786</guid>

					<description><![CDATA[I really found this helpful. I love to sing classical/operatic music and I have a ton of vibrato all the time. I try to subdue it a little bit so that it only comes out at the notes that I hold longer, but sometimes I can&#039;t help it.]]></description>
			<content:encoded><![CDATA[<p>I really found this helpful. I love to sing classical/operatic music and I have a ton of vibrato all the time. I try to subdue it a little bit so that it only comes out at the notes that I hold longer, but sometimes I can&#39;t help it.</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
