<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: Breath for the long notes	</title>
	<atom:link href="https://judyrodman.com/breath-for-long-notes/feed/" rel="self" type="application/rss+xml" />
	<link>https://judyrodman.com/breath-for-long-notes/</link>
	<description>Vocal Coach • Singer • Speaker • Songwriter • Studio Producer • Podcaster</description>
	<lastBuildDate>Wed, 07 Feb 2024 22:19:15 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.1</generator>
	<item>
		<title>
		By: Unknown		</title>
		<link>https://judyrodman.com/breath-for-long-notes/#comment-1557</link>

		<dc:creator><![CDATA[Unknown]]></dc:creator>
		<pubDate>Sat, 04 Oct 2008 21:05:30 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/breath-for-the-long-notes/#comment-1557</guid>

					<description><![CDATA[Yes, I agree, Kelley- to the point that I make sure I do some aerobic exercise before a performance.]]></description>
			<content:encoded><![CDATA[<p>Yes, I agree, Kelley- to the point that I make sure I do some aerobic exercise before a performance.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Kelley Ann Hornyak		</title>
		<link>https://judyrodman.com/breath-for-long-notes/#comment-1560</link>

		<dc:creator><![CDATA[Kelley Ann Hornyak]]></dc:creator>
		<pubDate>Wed, 01 Oct 2008 08:52:43 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/breath-for-the-long-notes/#comment-1560</guid>

					<description><![CDATA[In my experience it&#039;s definitely about the way you use the breath you have, like you said Judy. I have noticed a big difference however when I do a lot of underwater laps in the pool--that seems to give me much more lung capacity. Any type of aerobics in general will have that effect for me too, though not quite as strong as when I&#039;m swimming a lot.]]></description>
			<content:encoded><![CDATA[<p>In my experience it&#8217;s definitely about the way you use the breath you have, like you said Judy. I have noticed a big difference however when I do a lot of underwater laps in the pool&#8211;that seems to give me much more lung capacity. Any type of aerobics in general will have that effect for me too, though not quite as strong as when I&#8217;m swimming a lot.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Judy Rodman		</title>
		<link>https://judyrodman.com/breath-for-long-notes/#comment-1573</link>

		<dc:creator><![CDATA[Judy Rodman]]></dc:creator>
		<pubDate>Wed, 27 Aug 2008 04:32:14 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/breath-for-the-long-notes/#comment-1573</guid>

					<description><![CDATA[Yes, Wayne, I agree that setting up for the long note is vital. Just mentally intending to sing that long can cause you to naturally get enough breath in, and if you conserve and compress that breath properly, it will be more than enough.]]></description>
			<content:encoded><![CDATA[<p>Yes, Wayne, I agree that setting up for the long note is vital. Just mentally intending to sing that long can cause you to naturally get enough breath in, and if you conserve and compress that breath properly, it will be more than enough.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Anonymous		</title>
		<link>https://judyrodman.com/breath-for-long-notes/#comment-1574</link>

		<dc:creator><![CDATA[Anonymous]]></dc:creator>
		<pubDate>Wed, 27 Aug 2008 04:30:01 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/breath-for-the-long-notes/#comment-1574</guid>

					<description><![CDATA[Hi Judy&lt;br/&gt;Just a little input-&lt;br/&gt; &lt;br/&gt;One of the other situations that can occur is not being prepared at the precise time of the beginning of the long note.  Singing a song that requires a note to be held, I will try to anticipate it a few bars in advance which will allow time to fill the diaphragm with enough air to last several bars at a time. Take advantage of the song ,utilizing to the full extent breathing room.&lt;br/&gt;&lt;br/&gt;Also be careful not to over sing the song. &lt;br/&gt;Thanks Wayne]]></description>
			<content:encoded><![CDATA[<p>Hi Judy<br />Just a little input-</p>
<p>One of the other situations that can occur is not being prepared at the precise time of the beginning of the long note.  Singing a song that requires a note to be held, I will try to anticipate it a few bars in advance which will allow time to fill the diaphragm with enough air to last several bars at a time. Take advantage of the song ,utilizing to the full extent breathing room.</p>
<p>Also be careful not to over sing the song. <br />Thanks Wayne</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Anonymous		</title>
		<link>https://judyrodman.com/breath-for-long-notes/#comment-1575</link>

		<dc:creator><![CDATA[Anonymous]]></dc:creator>
		<pubDate>Mon, 25 Aug 2008 14:30:39 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/breath-for-the-long-notes/#comment-1575</guid>

					<description><![CDATA[Hi Judy. Yes you are tensing them, at least at the end of the blow.&lt;br/&gt;&lt;br/&gt;Just had the audition. Laden with Lloyd-Webber sheet music (I was going to sing &#039;Music of the Night&#039; my favourite song to sing) I trundled in to be told to sing &#039;Maria&#039; unaccompanied. I sang 90% of it reasonably well,(I was noticeably stronger so bless the balloon!) but the big belt in the middle was too short as I didn&#039;t take a breath going into it, and frankly nerves slightly rattled the high falsetto at the end. I don&#039;t do enough auditions I guess. Good experience though. I did the end again for them and it was better. Callbacks announced next week.&lt;br/&gt;&lt;br/&gt;I&#039;m actually really trying hard to break into the professional actor/singer circuit after a life of &#039;proper&#039; stuff. It&#039;s tough though. I&#039;m also a writer of children&#039;s fiction and film/TV screenplays. All the easy careers! Hope this singing trio tour happens. Saw the producer&#039;s play at the Galway Town Hall Theatre last night. Very, very good which is promising.&lt;br/&gt;&lt;br/&gt;Best wishes]]></description>
			<content:encoded><![CDATA[<p>Hi Judy. Yes you are tensing them, at least at the end of the blow.</p>
<p>Just had the audition. Laden with Lloyd-Webber sheet music (I was going to sing &#8216;Music of the Night&#8217; my favourite song to sing) I trundled in to be told to sing &#8216;Maria&#8217; unaccompanied. I sang 90% of it reasonably well,(I was noticeably stronger so bless the balloon!) but the big belt in the middle was too short as I didn&#8217;t take a breath going into it, and frankly nerves slightly rattled the high falsetto at the end. I don&#8217;t do enough auditions I guess. Good experience though. I did the end again for them and it was better. Callbacks announced next week.</p>
<p>I&#8217;m actually really trying hard to break into the professional actor/singer circuit after a life of &#8216;proper&#8217; stuff. It&#8217;s tough though. I&#8217;m also a writer of children&#8217;s fiction and film/TV screenplays. All the easy careers! Hope this singing trio tour happens. Saw the producer&#8217;s play at the Galway Town Hall Theatre last night. Very, very good which is promising.</p>
<p>Best wishes</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Judy		</title>
		<link>https://judyrodman.com/breath-for-long-notes/#comment-1577</link>

		<dc:creator><![CDATA[Judy]]></dc:creator>
		<pubDate>Mon, 25 Aug 2008 14:29:35 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/breath-for-the-long-notes/#comment-1577</guid>

					<description><![CDATA[Very interesting... I will try it! I think you are strengthening the intercostals that hold your ribcage open, as well as your lower abdominal wall. Tell me, when you do this, aren&#039;t you also slightly tensing your glutes?Thanks and best wishes for your audition!!]]></description>
			<content:encoded><![CDATA[<p>Very interesting&#8230; I will try it! I think you are strengthening the intercostals that hold your ribcage open, as well as your lower abdominal wall. Tell me, when you do this, aren&#8217;t you also slightly tensing your glutes?Thanks and best wishes for your audition!!</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Anonymous		</title>
		<link>https://judyrodman.com/breath-for-long-notes/#comment-1576</link>

		<dc:creator><![CDATA[Anonymous]]></dc:creator>
		<pubDate>Mon, 25 Aug 2008 14:29:20 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/breath-for-the-long-notes/#comment-1576</guid>

					<description><![CDATA[Just a useful (possibly) tip. I have found in the last few days a useful way of strengthening the intercostal muscles for stronger singing. I&#039;m a powerlifter so I suppose I sought out the equivalent of breathing techniques for singing.&lt;br/&gt;&lt;br/&gt;Just sit in a straight backed chair and using good, low diaphragmatic breathing, steadily inflate a party balloon with long slow breathes (3 attempts per &#039;inflation&#039;) 10 times over, 2-4 times a day. So far it seems to have helped immeasurably. A little too early to tell, and I&#039;ll let you know if I&#039;m still alive in two weeks (if not, disregard this sage advice.)&lt;br/&gt;&lt;br/&gt;I have an audition today for Tony in an amateur West Side Story. I don&#039;t know if at 34 I&#039;m too old, or whether this pro tour I&#039;m in will prevent it , but auditions are always good to experience.]]></description>
			<content:encoded><![CDATA[<p>Just a useful (possibly) tip. I have found in the last few days a useful way of strengthening the intercostal muscles for stronger singing. I&#8217;m a powerlifter so I suppose I sought out the equivalent of breathing techniques for singing.</p>
<p>Just sit in a straight backed chair and using good, low diaphragmatic breathing, steadily inflate a party balloon with long slow breathes (3 attempts per &#8216;inflation&#8217;) 10 times over, 2-4 times a day. So far it seems to have helped immeasurably. A little too early to tell, and I&#8217;ll let you know if I&#8217;m still alive in two weeks (if not, disregard this sage advice.)</p>
<p>I have an audition today for Tony in an amateur West Side Story. I don&#8217;t know if at 34 I&#8217;m too old, or whether this pro tour I&#8217;m in will prevent it , but auditions are always good to experience.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Anonymous		</title>
		<link>https://judyrodman.com/breath-for-long-notes/#comment-1578</link>

		<dc:creator><![CDATA[Anonymous]]></dc:creator>
		<pubDate>Mon, 25 Aug 2008 14:28:31 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/breath-for-the-long-notes/#comment-1578</guid>

					<description><![CDATA[Dear Judy&lt;br/&gt;&lt;br/&gt;Thank you very very much for your help. Very useful suggestions.  I&#039;ve alway wanted to be able to hold a very long lyrical line without loss of tone.  I will let you know if any career developments. Oh God, let there be developments!]]></description>
			<content:encoded><![CDATA[<p>Dear Judy</p>
<p>Thank you very very much for your help. Very useful suggestions.  I&#8217;ve alway wanted to be able to hold a very long lyrical line without loss of tone.  I will let you know if any career developments. Oh God, let there be developments!</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
