As a singer who frequently plays keyboard instruments, and a vocal coach who works with a lot of piano players, there are things I’ve had to learn about the most efficient ways of accomplishing this musical multitasking. Depending on how you do it, playing keys can either help or hurt your singing. Here are 7 piano/singer tips for you:
- Prepare by playing and singing separately.
It’s extremely important to practice your voice and your keyboard separately so you can put your undivided attention to the task. When practicing the keyboard part, just sing very lightly if at all, going over to head voice on high parts. When practicing singing, sing acapella or to a piano track you’ve recorded, or just play “diamonds” or simple chord changes so that you can focus your attention on your vocal technique. When you get them both right and easy, start putting them together. If there are syncopated or complicated rhythms in the piano, even this can become muscle memory as you carefully put voice and fingers together and PRACTICE!
- Get your posture right.
Sit or stand tall, retaining a flexible feeling in your spine. Slumping, for any reason, is “smooch de mort” (kiss of death) for the voice. It will negatively affect your inhale, breath support and control of breath. It will also tighten your throat. Standing or sitting…do not lean forward in such a way that you collapse your ribcage at all.
- Get your mic right.
Make sure the mic is positioned close enough to your mouth so you don’t have to lean over to sing into it. Also make sure it’s high enough to encourage that tall spine. This will greatly improve your breath and open throat technique.
- Get your power coming from your seat or your feet.
I see way too many keyboard players powering their voices from their shoulders. You need to center your power in your pelvic floor so you are not tempted to tighten your shoulders, neck, jaw- all of which tighten your throat and your breath. And absolutely yes, if you sit correctly, you can sing sitting as well as you can standing. But you must sit on the edge of your seat, not back into it, so that it feels the same as standing. Squeeze your butt against the seat for power. If you’re standing, power from your heel.
- Secure your pedals
If your feet have to slide forward looking for a slipping pedal, you will find your performance focus thrown off, along with a possible sudden posture slippage. Ducktape can be a keyboard player’s lifesaver. I keep a roll in my cord bag at all times.
- Lightly use your fingers on the keys to tip your balance over your tailbone instead of into the keys.
Don’t press hard enough to cause tension in hands, wrists or fingers. Just lightly “intend” your fingers to keep you flexibly tall and open… and not slumping.
- Be a singer who is playing piano… not a piano player who is singing.
This one is a mindset issue. You have to put your priority on communicating your voice, and your playing HAS to be secondary when you’re doing it at the same time. For an interim instrumental bridge, go ahead and focus on the keys, but when it’s time to sing.. back to your voice and the message you’re delivering.
In a post on a message board for singer that I like to read (the New Forum for Classical Singers), someone embedded a video of Placido Domingo singing opera while accompanying himself on the piano. I was so impressed at this skill of his. I've tried to accompany myself for years, but I have to admit, I didn't follow one of your suggestions in that I haven't practiced the piano part enough on its own.
If you want to read the post on the singer message board, here's a link:
Gotta Love a Guy Who Can Accompany Himself on the Piano
Thanks so much for sending this great link… notice how he uses his face, his back stays flexible, and that in this video you get the sense that his singing is coming first.
Good luck with my suggestions… let me know if they help you conquer this multitasking!
Hello, Avocational Singer… Good job… what I would have you concentrate on if you were my student is crisping up your articulation and getting it out of your jaw. Lighten and pop your words. I've always love this song, btw… I did it for my "jury" as a vocal student in college. I like to use it as part of my warmup, but again, you need to learn to use your consonants differently to get it even better and better FOR your voice.
Hi,
After doing a Google search for "tips for singing and playing the piano at the same time" I came across this post of yours – thank you.
Not a very skilled pianist but I'm a 'background player' to our lead guitarist and only recently I've become more keen to use my voice (and work on my voice, which has "good pitch but lack of power"). Now I feel that I could improve my singing far more easily than improving my piano playing… Decisions, decisions! 🙂
Julie… so happy that my post inspired you! Hope you keep singing… and keep in touch.
Found it! :))
HA… DO IT, Fabio. Just remember to practice playing and singing separately until the playing is just part of your arms.