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	<title>
	Comments on: Singing Scared &#8211; The Ironic Danger of Guarded Voice	</title>
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	<link>https://judyrodman.com/singing-scared-ironic-danger-of-guarded/</link>
	<description>Vocal Coach • Singer • Speaker • Songwriter • Studio Producer • Podcaster</description>
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		<title>
		By: Judy Rodman		</title>
		<link>https://judyrodman.com/singing-scared-ironic-danger-of-guarded/#comment-515</link>

		<dc:creator><![CDATA[Judy Rodman]]></dc:creator>
		<pubDate>Wed, 23 Nov 2016 16:11:17 +0000</pubDate>
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					<description><![CDATA[Thank you so much Terry and Leesa for your comments... I really do love working with voices of speakers and business folks, too, and love hearing that you find this focus useful!]]></description>
			<content:encoded><![CDATA[<p>Thank you so much Terry and Leesa for your comments&#8230; I really do love working with voices of speakers and business folks, too, and love hearing that you find this focus useful!</p>
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		<title>
		By: Unknown		</title>
		<link>https://judyrodman.com/singing-scared-ironic-danger-of-guarded/#comment-516</link>

		<dc:creator><![CDATA[Unknown]]></dc:creator>
		<pubDate>Wed, 23 Nov 2016 16:09:38 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/singing-scared-the-ironic-danger-of-guarded-voice/#comment-516</guid>

					<description><![CDATA[I don&#039;t do any singing, however, these tips are excellent for those of us who speak.]]></description>
			<content:encoded><![CDATA[<p>I don&#39;t do any singing, however, these tips are excellent for those of us who speak.</p>
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		<title>
		By: Terry Green		</title>
		<link>https://judyrodman.com/singing-scared-ironic-danger-of-guarded/#comment-517</link>

		<dc:creator><![CDATA[Terry Green]]></dc:creator>
		<pubDate>Wed, 23 Nov 2016 15:29:03 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/singing-scared-the-ironic-danger-of-guarded-voice/#comment-517</guid>

					<description><![CDATA[Excellent information, which would explain why you sound so much better when you are confident than when you are afraid or timid. I can see a couple of ways this fear when singing could correlate with a fear in business. Fight or flight is real in many situations. Thanks so much!]]></description>
			<content:encoded><![CDATA[<p>Excellent information, which would explain why you sound so much better when you are confident than when you are afraid or timid. I can see a couple of ways this fear when singing could correlate with a fear in business. Fight or flight is real in many situations. Thanks so much!</p>
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		<title>
		By: Judy Rodman		</title>
		<link>https://judyrodman.com/singing-scared-ironic-danger-of-guarded/#comment-560</link>

		<dc:creator><![CDATA[Judy Rodman]]></dc:creator>
		<pubDate>Thu, 21 Jul 2016 11:11:43 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/singing-scared-the-ironic-danger-of-guarded-voice/#comment-560</guid>

					<description><![CDATA[Glad you enjoyed the post. I believe you can learn to sing without fright. Here are more posts you might like to read on the subject:&lt;br /&gt;http://blog.judyrodman.com/2008/07/stage-fright-what-is-it.html&lt;br /&gt;http://blog.judyrodman.com/2008/07/stage-fright-changing-stinking-thinking.html&lt;br /&gt;http://blog.judyrodman.com/2008/07/stage-fright-extreme-condition.html&lt;br /&gt;&lt;br /&gt;And of course if you&#039;d like to take a lesson, let me know! &lt;br /&gt;&lt;br /&gt;]]></description>
			<content:encoded><![CDATA[<p>Glad you enjoyed the post. I believe you can learn to sing without fright. Here are more posts you might like to read on the subject:<br /><a href="http://blog.judyrodman.com/2008/07/stage-fright-what-is-it.html" rel="nofollow ugc">http://blog.judyrodman.com/2008/07/stage-fright-what-is-it.html</a><br /><a href="http://blog.judyrodman.com/2008/07/stage-fright-changing-stinking-thinking.html" rel="nofollow ugc">http://blog.judyrodman.com/2008/07/stage-fright-changing-stinking-thinking.html</a><br /><a href="http://blog.judyrodman.com/2008/07/stage-fright-extreme-condition.html" rel="nofollow ugc">http://blog.judyrodman.com/2008/07/stage-fright-extreme-condition.html</a></p>
<p>And of course if you&#39;d like to take a lesson, let me know! </p>
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		<title>
		By: WSM		</title>
		<link>https://judyrodman.com/singing-scared-ironic-danger-of-guarded/#comment-561</link>

		<dc:creator><![CDATA[WSM]]></dc:creator>
		<pubDate>Wed, 20 Jul 2016 22:17:57 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/singing-scared-the-ironic-danger-of-guarded-voice/#comment-561</guid>

					<description><![CDATA[wow. this describes me to a T.  It is such a shame, because when I am not scared, I can sing so beautifully. what a shame. I have such terrible stage fright when singing. I would love to learn to let go of that and be able to sing with abandon. I admire those who can.]]></description>
			<content:encoded><![CDATA[<p>wow. this describes me to a T.  It is such a shame, because when I am not scared, I can sing so beautifully. what a shame. I have such terrible stage fright when singing. I would love to learn to let go of that and be able to sing with abandon. I admire those who can.</p>
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		<title>
		By: Ronald Calabrese		</title>
		<link>https://judyrodman.com/singing-scared-ironic-danger-of-guarded/#comment-562</link>

		<dc:creator><![CDATA[Ronald Calabrese]]></dc:creator>
		<pubDate>Wed, 20 Jul 2016 12:35:17 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/singing-scared-the-ironic-danger-of-guarded-voice/#comment-562</guid>

					<description><![CDATA[Hi Judy. This is  a particularly pertinent posting, which eventually effects all singers.&lt;br /&gt;Many naturally talented vocalists never truly understand their instrument, and when a vocal &lt;br /&gt;problem arises, they don&#039;t know why it&#039;s happened or how to correct it. A good vocal teacher&#039;s ear is a necessity. He/ she can instantly tell when the voice is off track and get the singer back to the basics. &lt;br /&gt;As a personal example, I was once having some problems with high notes and for some irrational reason started cocking my jaw to the side, instead of dropping it straight down. I associated my better high notes with the incorrect jaw position, when common sense should have told me otherwise. My teacher had me sing exercises holding a mirror, proving to me, the improper jaw position was a detriment, not a benefit.&lt;br /&gt;As my teacher, Walter Kirschner, loved to remind me; &#034; tenors have resonance where others have brains!&#034;]]></description>
			<content:encoded><![CDATA[<p>Hi Judy. This is  a particularly pertinent posting, which eventually effects all singers.<br />Many naturally talented vocalists never truly understand their instrument, and when a vocal <br />problem arises, they don&#39;t know why it&#39;s happened or how to correct it. A good vocal teacher&#39;s ear is a necessity. He/ she can instantly tell when the voice is off track and get the singer back to the basics. <br />As a personal example, I was once having some problems with high notes and for some irrational reason started cocking my jaw to the side, instead of dropping it straight down. I associated my better high notes with the incorrect jaw position, when common sense should have told me otherwise. My teacher had me sing exercises holding a mirror, proving to me, the improper jaw position was a detriment, not a benefit.<br />As my teacher, Walter Kirschner, loved to remind me; &quot; tenors have resonance where others have brains!&quot;</p>
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