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	<title>
	Comments on: Why Singing On Mic is Hard For Opera Singers	</title>
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	<description>Vocal Coach • Singer • Speaker • Songwriter • Studio Producer • Podcaster</description>
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		By: Judy Rodman		</title>
		<link>https://judyrodman.com/why-singing-on-mic-is-hard-for-opera/#comment-1014</link>

		<dc:creator><![CDATA[Judy Rodman]]></dc:creator>
		<pubDate>Tue, 16 Jul 2013 20:28:40 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/why-singing-on-mic-is-hard-for-opera-singers/#comment-1014</guid>

					<description><![CDATA[Anonymous... First of all, I&#039;d like to know who you are and from where your opinions originate. I love to discuss voice matters and welcome alternative viewpoints, but not when you offer argumentative and unsubstantiated viewpoints anonymously. &lt;br /&gt;&lt;br /&gt;That said, you bring up an important point, so I&#039;ve included your comment. It&#039;s ONLY good to articulate like you speak when you use good speaking habits. If you tend to speak with a tight jaw and tension in the base of your tongue, you certainly don&#039;t need to sing like you talk. In fact, you need to get some training for your speaking voice to protect it, and to communicate more effectively. For a video with lots of free tips for your speaking voice, go here: http://www.youtube.com/watch?v=hkdJqnKGT4I . &lt;br /&gt;&lt;br /&gt;You can also use classical voice techniques for some background vocal work, especially for phrases sung with only vowels.&lt;br /&gt;&lt;br /&gt;Bottom line, however, is that I stand behind my assertion that contemporary style lead vocals need to be articulated more like a healthy speaking voice. Classical forms of articulation will not work for this.]]></description>
			<content:encoded><![CDATA[<p>Anonymous&#8230; First of all, I&#39;d like to know who you are and from where your opinions originate. I love to discuss voice matters and welcome alternative viewpoints, but not when you offer argumentative and unsubstantiated viewpoints anonymously. </p>
<p>That said, you bring up an important point, so I&#39;ve included your comment. It&#39;s ONLY good to articulate like you speak when you use good speaking habits. If you tend to speak with a tight jaw and tension in the base of your tongue, you certainly don&#39;t need to sing like you talk. In fact, you need to get some training for your speaking voice to protect it, and to communicate more effectively. For a video with lots of free tips for your speaking voice, go here: <a href="http://www.youtube.com/watch?v=hkdJqnKGT4I" rel="nofollow ugc">http://www.youtube.com/watch?v=hkdJqnKGT4I</a> . </p>
<p>You can also use classical voice techniques for some background vocal work, especially for phrases sung with only vowels.</p>
<p>Bottom line, however, is that I stand behind my assertion that contemporary style lead vocals need to be articulated more like a healthy speaking voice. Classical forms of articulation will not work for this.</p>
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		<title>
		By: Anonymous		</title>
		<link>https://judyrodman.com/why-singing-on-mic-is-hard-for-opera/#comment-1018</link>

		<dc:creator><![CDATA[Anonymous]]></dc:creator>
		<pubDate>Tue, 16 Jul 2013 16:21:06 +0000</pubDate>
		<guid isPermaLink="false">https://judyrodman.com/why-singing-on-mic-is-hard-for-opera-singers/#comment-1018</guid>

					<description><![CDATA[Articulate more like you speak?  I don&#039;t think so....this is completely opposite of what will take the stress off the voice....Articulate like you speak is a great way to get all of the unwanted tensions everywhere above the larynx.&lt;br /&gt;BAD advice.]]></description>
			<content:encoded><![CDATA[<p>Articulate more like you speak?  I don&#39;t think so&#8230;.this is completely opposite of what will take the stress off the voice&#8230;.Articulate like you speak is a great way to get all of the unwanted tensions everywhere above the larynx.<br />BAD advice.</p>
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